BIO

The Creative Space of Rich Marks the Spot. Not aligning to the reasoning of: context, intent, approach, criteria, and outcomes. The opposite of creating content to optimize for traction. Unfiltered creative endeavors from the brain’s cortex to the digital landscapes.

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Ring in 2025 with “Basement Broadcast #2: New Year’s Eve”!

/ Uncategorized / Ring in 2025 with “Basement Broadcast #2: New Year’s Eve”!

Ring in 2025 with “Basement Broadcast #2: New Year’s Eve”!

A Hilarious Celebration of Online Absurdity

Join me for the second installment of “Avant Garde Basement Garden Variety Show,” where we bid farewell to 2024 and hello to 2025 in the most unconventional way possible.

Watch the Full Episode

Segment Breakdown

Monologue: Roast of Online Monetization Trends

I kick off the show with a scathing roast of online monetization trends, tackling the absurdities of social media influencers and digital entrepreneurship.

Replay Roulette: Funny Videos

Next, I dive into “Replay Roulette,” showcasing hilarious videos that will leave you in stitches.

Treasure Trash: Failed Projects and Weird Creations

In “Treasure Trash,” I rummage through my archives to share failed projects and bizarre creations that will make you laugh and cringe.

Rapid Fire Rhythms: Make a Beat

Get ready for “Rapid Fire Rhythms,” where I attempt to create a beat on the fly, embracing the chaos of live music experimentation.

Musicians Going Off: Epic Performance

The show culminates with “Musicians Going Off,” an epic performance that will blow your mind.

Reflections and Future Plans

As we welcome 2025, I reflect on the importance of embracing absurdity and creativity in our online lives. Stay tuned for more experimental art, music and conversation in future episodes!

Written By

I lead creative, production, and marketing while directing films that are both entertaining and strategically impactful at Creativity Scientist. Beyond the office, I'm Rich Marks the Spot, exploring unfiltered creativity that fuels innovative digital experiences.

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